{"id":12531,"date":"2022-06-13T09:29:56","date_gmt":"2022-06-13T09:29:56","guid":{"rendered":"https:\/\/galleriaborghese.beniculturali.it\/en\/?p=12531"},"modified":"2022-06-13T14:08:25","modified_gmt":"2022-06-13T14:08:25","slug":"introduction","status":"publish","type":"post","link":"https:\/\/galleriaborghese.cultura.gov.it\/en\/introduction\/","title":{"rendered":"Introduction"},"content":{"rendered":"<p><i><span style=\"font-weight: 400;\">Titian. Dialogues of Nature and Love<\/span><\/i><span style=\"font-weight: 400;\"> is a dossier exhibition that stemmed from the loan of Titian\u2019s painting <\/span><i><span style=\"font-weight: 400;\">Nymph and Shepherd<\/span><\/i><span style=\"font-weight: 400;\"> by the Kunsthistorisches Museum in Vienna as part of a programme of cultural exchange between the two institutions.<img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"https:\/\/galleriaborghese.cultura.gov.it\/en\/wp-content\/uploads\/Tiziano.-DIaloghi-di-Natura-e-di-Amore.-Installation-view-1.-Ph.-M.Coen-\u00a9-Galleria-Borghese-scaled.jpg\" alt=\"\" width=\"600\" height=\"417\" \/><\/span><\/p>\n<p><span style=\"font-weight: 400;\">The encounter between the Vienna canvas and the works by Titian in the Galleria Borghese \u2013\u00a0<\/span><i><span style=\"font-weight: 400;\">Sacred and Profane Love<\/span><\/i><span style=\"font-weight: 400;\"> and <\/span><i><span style=\"font-weight: 400;\">Venus Blindfolding Cupid<\/span><\/i><span style=\"font-weight: 400;\"> \u2013\u00a0enables the paintings to interact with each other around two themes that were a constant feature of the artist\u2019s production: Nature, as symbolic landscape and place of human action, and Love, depicted in its various forms \u2013 divine, natural and matrimonial love \u2013\u00a0personified by Venus or a nymph, a young girl or a bride.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Nature and Love are closely intertwined and represent part of the life cycle, in a harmonious relationship to which alludes the romantic and musical allegory of the\u00a0<\/span><i><span style=\"font-weight: 400;\">Nymph and Shepherd<\/span><\/i><span style=\"font-weight: 400;\">. This is the final episode of a recurrent theme addressed for the first time by the young Titian with the <\/span><i><span style=\"font-weight: 400;\">Three Ages of Man<\/span><\/i><span style=\"font-weight: 400;\"> (Edinburgh), here presented in the form of a copy by Sassoferrato (from Museum storage), who, during the 17<\/span><span style=\"font-weight: 400;\">th <\/span><span style=\"font-weight: 400;\">century, reproduced \u2013 almost certainly for the Borghese family \u2013 a version of Titian\u2019s painting that was on view in Rome.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The <\/span><i><span style=\"font-weight: 400;\">dossier<\/span><\/i><span style=\"font-weight: 400;\"> exhibition finds its natural location in room XX (20), where the works of Titian and the Venetian school are on display. The dialogues of Nature and Love are prompted by <\/span><i><span style=\"font-weight: 400;\">Sacred and Profane Love<\/span><\/i><span style=\"font-weight: 400;\"> and <\/span><i><span style=\"font-weight: 400;\">Venus blindfolding Cupid<\/span><\/i><span style=\"font-weight: 400;\"> \u2013 already facing one another \u2013 and between <\/span><i><span style=\"font-weight: 400;\">Nymph and Shepherd<\/span><\/i><span style=\"font-weight: 400;\"> and <\/span><i><span style=\"font-weight: 400;\">The Three Ages of Man<\/span><\/i><span style=\"font-weight: 400;\">, both placed along the other axis.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In that room there are also other paintings that can be considered as commentary to these dialogues. Among them, the problematic painting of\u00a0<\/span><i><span style=\"font-weight: 400;\">Venus, Cupid and a Satyr<\/span><\/i><span style=\"font-weight: 400;\">, in tight correlation with <\/span><i><span style=\"font-weight: 400;\">Venus blindfolding Cupid<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Titian. Dialogues of Nature and Love is a dossier exhibition that stemmed from the loan of Titian\u2019s painting Nymph and Shepherd by the Kunsthistorisches Museum in Vienna as part of a programme of cultural exchange between the two institutions. The encounter between the Vienna canvas and the works by Titian in the Galleria Borghese \u2013\u00a0Sacred [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":12555,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[48],"tags":[],"class_list":["post-12531","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-approfondimenti"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Introduction - Galleria Borghese<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/galleriaborghese.cultura.gov.it\/en\/introduction\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Introduction - Galleria Borghese\" \/>\n<meta property=\"og:description\" content=\"Titian. 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