{"id":15077,"date":"2024-06-20T08:38:46","date_gmt":"2024-06-20T08:38:46","guid":{"rendered":"https:\/\/galleriaborghese.beniculturali.it\/en\/?p=15077"},"modified":"2024-06-20T18:05:56","modified_gmt":"2024-06-20T18:05:56","slug":"cell-the-last-climb","status":"publish","type":"post","link":"https:\/\/galleriaborghese.cultura.gov.it\/en\/cell-the-last-climb\/","title":{"rendered":"CELL (THE LAST CLIMB)"},"content":{"rendered":"<p>Cell (The Last Climb) explores themes of transition and evolution, using architectural elements as symbols. For Bourgeois, staircases were metaphors for self-realization and psychological metamorphosis. This Cell features a spiral staircase salvaged from her Brooklyn studio before its demolition in 2005. Bourgeois designed it to connect the two floors of her studio.<\/p>\n<p>The blue glass orbs symbolize a longing to transcend boundaries, reflecting the sky and embodying peace. Their transparency signifies a wish to be understood and forgiven, echoing the celestial blues of Luca Giordano\u2019s Madonna of the Canopy at the Museo di Capodimonte in Naples, where the Cell was first exhibited in 2008.<br \/>\nThis upward movement contrasts with the wooden spheres at the staircase\u2019s base, emphasizing the tension between ascension and gravity. The twelve spools of yellow thread link to needles embedded in a hanging blue rubber form, representing the passing of time and life\u2019s fragility.<\/p>\n<p>Cell (The Last Climb) articulates Bourgeois\u2019s fascination with reparation and forgiveness amidst physical and psychological constraints, blending personal themes with universal concepts.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cell (The Last Climb) explores themes of transition and evolution, using architectural elements as symbols. For Bourgeois, staircases were metaphors for self-realization and psychological metamorphosis. This Cell features a spiral staircase salvaged from her Brooklyn studio before its demolition in 2005. Bourgeois designed it to connect the two floors of her studio. The blue glass [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":15153,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[48],"tags":[],"class_list":["post-15077","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-approfondimenti"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>CELL (THE LAST CLIMB) - Galleria Borghese<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/galleriaborghese.cultura.gov.it\/en\/cell-the-last-climb\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CELL (THE LAST CLIMB) - Galleria Borghese\" \/>\n<meta property=\"og:description\" content=\"Cell (The Last Climb) explores themes of transition and evolution, using architectural elements as symbols. For Bourgeois, staircases were metaphors for self-realization and psychological metamorphosis. This Cell features a spiral staircase salvaged from her Brooklyn studio before its demolition in 2005. Bourgeois designed it to connect the two floors of her studio. 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